“Calm Down” is a song by Nigerian artist Rema that appears on his debut studio album, Rave & Roses (2022). The album’s second single was made available on February 11, 2022, via Jonzing World and Mavin. The song was at the top of the charts in all of Europe, including the Belgian Ultratop 50, the Dutch Single Top 100, and the Dutch Top 40. On August 25, 2022, an electronic remix of the song featuring American singer Selena Gomez became released. On the Billboard US Afrobeats Songs and Billboard Global Excl lists, the modified version peaked at number one, while also placing third on the Global 200 chart. US charts. It was Gomez’s eighth top-ten song and Rema’s fifth, reaching number five on the US Billboard Hot 100.
Additionally, it topped the U.S. Afrobeat’s Songs chart for a record-breaking 35 weeks. On the Canadian Hot 100 chart for the week of May 13, 2023, it peaked at number one.
Background
“Calm Down” is about the circumstances that eventually lead me to fall in love. I first saw the girl at a party because she stuck out from the other girls, and I felt like I should make a move. We conversed and danced, but her companions prevented us from getting any closer, ruining the mood. However, once they left, we hit it off and kept in touch.
― Rema on the song’s inspiration, Pitchfork
On August 17, 2022, Selena Gomez shared a picture of herself and Rema with the hashtag “coming soon” on social media. A week later, the remix was made available.
Composition
The song was called a “feelgood smash hit” and “vibey” The remix, according to Adegboyega Remmy Adeleye of the Vanguard, “maintains the same energy as the original release” thanks to Gomez’s “melodic tune complementing Rema’s vibe perfectly.”
Calm down lyrics
- Another banger
- Baby, calm down, calm down
Girl, this your body e put my heart for lockdown
For lockdown, oh, lockdown
Girl, you sweet like Fanta o
Fanta o
If I tell you say I love you
No dey form yanga o, oh, yanga o
No tell me no, no, no, no
Whoa, whoa, whoa, whoa
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh - Baby, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love
You got me like whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa
Shawty, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love, hmm - I see this fine girl, for my party, she wear yellow
Every other girl they dey do too much, but this girl mellow
Naim I dey find situation I go use take tell am hello
Finally, I find way to talk to the girl but she no wan’ follow - Who you come dey form for? (Uhum)
Why you no wan’ conform? (Uhum)
Then I start to feel her bum-bum, whoa (uhum)
But she dey gimme small-small, whoa
I know say she sabi pass that one (uhum)
But she feeling insecure
‘Cause her friends go dey gum her like chewing gum (uhum)
Go dey gum her like chewing gum - Baby, calm down, calm down
Girl, this your body e put my heart for lockdown
For lockdown, oh, lockdown
Girl, you sweet like Fanta o
Fanta o
If I tell you say I love you
No dey form yanga o, oh, yanga o
No tell me no, no, no, no
Whoa, whoa, whoa, whoa
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh - Baby, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love
You got me like whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa
Shawty, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love, hmm - As I reach my house I say make I rest small (make I rest small)
As me I wake up na she dey my mind oh o (na she dey my mind oh o)
Day one, day two, I no fit focus (I no fit focus)
Na so me I call am, say make we link up (say make we link up)
As I start to dey tell her how I feel, all my heart dey race
Baby girl, if you leave me, I no go love again
Because e get many girls wey put my heart for pain
Shebi, you feel my pain - Baby, calm down, calm down
Girl, this your body e put my heart for lockdown
For lockdown, oh, lockdown
Girl, you sweet like Fanta o
Fanta o
If I tell you say I love you
No dey form yanga o, oh, yanga o
No tell me no, no, no, no
Whoa, whoa, whoa, whoa
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh - Baby, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love
You got me like whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa
Shawty, come gimme your lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-lo-love, hmm
‘Calm Down’: Why Rema Didn’t Strive for Perfection
The Nigerian artist talks about collaborating with Selena Gomez, how his debut Hot 100 entry came together, and his intentions to support Nigeria.
Rema searches for experiences and noises that, in his own words, affect his soul while he is in the studio. Neglecting this innate creative process may have resulted in a different “Calm Down” remix, perhaps one sans Selena Gomez. The first single from his March 2022 debut studio album, Rave & Roses, the Nigerian musician’s midtempo smash “Calm Down” was released a year ago. Rema begs a young woman at a nearby club to believe that his intentions are good in the alluring, atmospheric tune. The song, which was produced by fellow Nigerian Andre Vibez, oozes with the Afrobeat’s subgenre he labels Afro-rave, which was influenced by his love of hip-hop, African music, lo-fi, and alternative. Rema, 22, saw the single start to gain traction (debuting on the Billboard U.S. On the Billboard US Afrobeat’s Songs and Billboard Global Excl lists, the modified version peaked at number one, while also placing third on the Global 200 chart.. Rema trusted his instinct and hired a woman to “take it up to the next level” and knew right away that Gomez was the right fit. The “Calm Down” remix maintains its top spot on the Billboard U.S. For the 23rd week in a row, Afrobeat’s Songs are at the top of the list, rising to No. 26 high on this week’s Billboard Hot 100. The up-and-coming musician was interviewed by Billboard on the creation of his biggest success to far, his plans to give back to Nigeria, and advancing Afrobeat’s.
How did you collaborate with Selena Gomez on the remix of “Calm Down”?
It all began with me listening to and enjoying her songs. She really heard some of my songs and contacted me as well. Our teams grew used to one another, and we began collaborating on the release of this great song. It all began with friendship, led to the joining of our teams, and has now turned into a large family. It was mostly organic, and we were responsible for making it happen. I’m in awe. When did you decide that the original “Calm Down” required a remix, and why did Selena seem like the perfect fit for the mood?
In June, I first saw the effect. “I think this might be a song I would like to do a remix to,” I texted my colleagues. Since most of my songs are solos or features, I don’t really do remixes. On the song, I wanted a feminine voice. I thought we needed someone who could take the song to the next level because it was already going viral. Selena was the best option based on our conversations, preparation, accessible contacts, and friendship. I was crossing my fingers that she would concur. Fortunately for us, she did, so we didn’t feel the need to contact anyone else.
What has it been like to witness the song become a worldwide hit?
Every morning, I receive positive news. Not only is there positive news about how my job is progressing, but also regarding how my culture is doing. Afrobeat’s are progressing to a new level. This music is building bridges and opening doors. The audience is curious in what more is coming out of Africa and Nigeria. I’m overjoyed. I’m content for Selena, my team, the culture, and myself. She accepted the sound and followed her own agenda. The impact has been enormous because it happened at the right time and with the right person. I’m thankful for the fact that hearing non-native speakers of my language sing my song word-for-word demonstrates how the music affects listeners.
Why do you believe “Calm Down” has been popular for so long?
Not only is it about the music, but it’s also about myself and the talent God has given me. I have no intentions as I work in the studio. I only produce. I adore all of my songs the same way, no matter how they turn out. In the same manner, I press them. People seem to choose whatever strikes a chord with them, in my opinion. There isn’t exactly one aspect that stands out to me. Focusing on it would just confine me in some way. It’s just good music, I don’t know what else it is.
Tell me about the making of the song. Did you help Selena write her poem?
Selena and her group had no more to say. I’m not particularly familiar with her creative process, but even though we worked online, she seemed quite worried about how the record was going to sound. She asked me whether I thought every motion she did in the song was nice. Some musicians simply say, “Whatever I did is great.
Have it,” she said, but inquired as to if I related to her efforts on it, which I did.. I was smitten. With my producers, we merely changed the tempo a little bit more and gave her verse more breathing room.
What have you discovered about her working with you?
You should give each phase of the process your all while collaborating with other artists. She was concerned. I gained compassion. She phoned me on FaceTime as soon as she began working on it, and we briefly discussed it. filming sure she didn’t steal from it while mixing and filming the music video. Instead than saying, “Oh, Selena Gomez, so we have to switch the whole idea to something else,” she simply accepted it. Knowing how much work she does, she puts in such long hours. She performs music, owns a cosmetics brand, and acts. She has a lot of work to do, but she has been supporting me and marketing herself to her fan base in a really sincere, loving, and caring way. Because of our collaboration on “Calm Down,” [her following] continues to support my other work in addition to “Calm Down.” That’s incredible.
What inspired the song in the beginning?
When a handful of females entered the party where I was attending, I noticed a girl wearing yellow. She was being incredibly rude to me when I tried to speak with her and her pals. Their desire to converse was minimal. “Yo, just calm down,” I said. Come on, let’s speak. She eventually began to relax, and we then began to converse and dance. She was on my mind after she left the gathering, and I yearned to see her once more. There it was. I entered the studio having just had that feeling.
What precisely do you wish to do to support your neighborhood and the young of Africa?
I wouldn’t describe it as being on a charitable level. It is based on the infrastructural requirements for creators. There are several complaints coming from directors, painters, and even musicians since the shows are not being presented well and the audience no longer trusts the artists. Infrastructure is required. It’s significant. We receive it from the outside world, but I believe it’s crucial that we also make an investment in ourselves if we want the outside world to come to us. They travel to Ghana, Tanzania, and other locations to see Afrobeats singers, but at this time, we should really concentrate on Nigeria. Many Nigerian musicians may be seen on the lineups in other African nations, but our infrastructure is crucial.
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